The biggest surprise about last night’s epic battle for Winterfell is that there wasn’t a big surprise. Going into the season it was easy to predict that the end of episode three (the longest battle in TV or film history, we were told repeatedly) would end with someone sticking a piece of dragon glass or Valyrian steel into the Night King and bringing that story line to an end.
Then I read and listened to so many theories that I convinced myself the showrunners would not go for anything so obvious. After all, solving the existential threat at the heart of the Game of Thrones extended universe with three episodes to go is bound to leave the remainder of the series an anticlimax, right? And certainly they would come up with something more ingenious than a knife to the gut or a spear to the chest, right?
I’m not going to complain about the moment when Arya somehow leaped over 10,000 wights, pulled that very cool hand switch, dropping the knife from one hand to the other, and plunged it in. Am I the only one who who was reminded of the great scene in “The Karate Kid” when Ralph Macchio defeats a bigger and stronger opponent with one surprise kick? And of course it was satisfying that the knife in question was the one that almost killed Bran and started the whole battle between the Starks and Lannisters back in season one. But still, I did feel a little let down at the storytelling conventionality at the heart of the episode, including this particular deus ex machina.
This is not to say there weren’t several glorious moments. The beginning scenes were particularly thrilling. The first sight of Sam rushing through the castle, quickly cut with our other heroes getting into place — Tyrian, Bran, Sansa and Arya — and others in formation on the battlefield — Brienne, Gendry, Podrick, Edd, — were an immediate reminder of what is at stake on a human scale. (Although what the hell was Ghost doing in the front lines of the battle anyway? His superpower is ripping out the throats of his enemies; that seems particularly unsuited to combating the undead.)
The one actual surprise of the episode was reappearance of Melisandre, although how she managed to make her way through an army of wights is a very good question — maybe she’s the one who taught Arya how to do it. Melisandre has had many bad ideas over the years — Stannis, Shireen, not giving Gendry the full ride he deserved — and you can now add lighting the Dothraki swords on fire to the list. This gets them all riled up and eager to charge the wights — a beautiful but futile gesture.
Granted, the way director Miguel Sapochnik filmed it — with a long silent shot of the horsemen charging out in the blackness and the lights being slowly extinguished — was eerie and unsettling, but it seems to have accomplished nothing. If anything it was reminiscent of those World War I movies featuring the cavalry charging machine guns and getting mowed down.
And just like that, the Dothraki army that Dany spent years assembling is extinguished in the snow of the North.
The hyper-disciplined unsullied seem to do a little better. They are in a defensive position anyway. And even though they are outnumbered, it’s very satisfying to see them decapitating their share of wights. (Although I’m not sure what they are actually accomplishing since regular steel doesn’t actually kill wights, correct?) I appreciate seeing Grey Worm’s apparent fear and exhaustion, which makes his decision to lead Melisandre out to the trench even more heroic. And sure, it takes the red witch numerous incantations to set the trench aflame, but when she does it’s a great moment, as is the wights’ eventual plan to throw their bodies on the flames and clamor over each other to get past the trench.
At this point, it’s clear nothing is working against these guys. And as much as I hate to be a Monday morning quarterback, you have to wonder about that battle plan. Why wasn’t the burning trench the first line of defense? Why put all your men in front of the trench and sacrifice thousands before deploying your best weapon? Wouldn’t it have been better to: 1) light the trench; 2) have your guys shooting flaming dragon glass arrows through the trench into the immobilized wights on the other side; and 3) then have the dragons swoop down and incinerate as many as possible.
In any event, this first stage of the battle — outside the castle — is the best part of the show. Once the wights start climbing up the walls and breach the ramparts, the action becomes more complicated and confusing. All the slashing and chopping is tough to follow, especially in the dark. For example, at some point Dolorous Edd gets killed, but I didn’t even notice.
The hand-to-hand combat is interspersed with quieter and creepier moments inside the supposedly safer parts of the castle, including the crypt and the library. I liked the nice rapprochement between Tyrian and Sansa, advancing my theory that they will end up as the other power couple in Westeros. Although you would think Sansa would give her antipathy to Dany a rest when the Mother of Dragons is out there fighting to save humanity and she’s cowering in the crypt.
There’s not a lot of point of recapping everything that happens once the wights get inside the walls. A lot of people almost get killed but don’t. Sam, in particular, spends practically the whole time lying on his back swarmed by wights but comes through unscathed. Almost every time one character saves saves the life of another character the favor is returned (e.g., Arya saves the House and he saves her later). Symmetry is good in architecture but quickly cliched in storytelling. It also seems like every character has a moment of cowering before being re-energized. This is most satisfyingly demonstrated when the Hound wants to give up, saying, “You can’t beat death,” only to have Beric respond by pointing to Arya and saying, “tell her that.”
Just about half-way through the episode I realized that the clock is not my friend. It was 9:45 p.m. and I knew there was another 40 minutes to go. Already it was desperately dire inside Winterfell, my blood pressure was sky-high, and I began to seriously wonder if the good guys might actually lose. How would they fill out the rest of the episode?
Some dragon fights helped pass the time. The shot of the two dragons up where the air was clear and peaceful, was sublime, but less sublime was the dragon-on-dragon action. It was hard to tell which dragon was which and in the end the whole thing didn’t matter because even after the Night King fell off Viserion, he somehow landed on his feet and was able to brush off a full blast of dragonfire.
Does anything matter?
And here’s where we get to the crux of my vague disappointment with the episode: nothing mattered. That sounds as nihilistic as anything the Night King has to offer but in the end, all the dragon glass mining, Valaryian steel hording, fiery weapons-making, strategy-planning didn’t change anything. The army of the undead was just too massive. It was touching, sad, and inspiring when the pint-sized Lyanna Mormont died killing the reanimated giant, but would it have made any difference if she hadn’t?
In the end, it all comes down to Arya’s leap at the Night King as he’s approaching Bran. If she kills him the world survives; if not, it doesn’t. Everything that happened before that is a distraction. You can make the argument that all the preceding action was necessary to lure the Night King in, and I suppose he was caught off guard because he’d supposedly defeated everyone, but that leads to another objection: the Night King has literally been waiting for this moment for EIGHT THOUSAND YEARS and he couldn’t wait another fifteen minutes to mop up all the remaining humans? What’s the rush? Why expose yourself? And again, what are his white walker aides-de-camp doing at this moment? How can they let Arya in? I guess this comes from her training?
And while we’re at it — Bran, this is the best you’ve got? There was a moment when I thought Bran was going to go back in time and change history again. Instead he just warged into some ravens. What was that all about? Up until the very last minute I thought he had some super plan up his sleeve, but I guess not (unless he already knew the future and knew that Arya was coming).
Speaking of Arya — this has been a pretty good night for her — within hours she lost her virginity to the super hunky Gendry (who seems to have survived!) AND she saved humanity by accomplishing something that no one else has been able to do for EIGHT THOUSAND YEARS.
Not Enough Deaths?
When the episode was over the first twitter post I saw complained that the body count was a little skimpy, and yeah, I have to agree.
It’s not that I wanted more people to die but after all these seasons I expected a little more realism out of the series. There were so many characters on the front lines and they were all constantly in mortal danger. There were at least two times when I thought Brienne had bought the farm but then she popped up again. Worse, in the last five to ten minutes of the battle we were cued to expect a slaughter through the use of sad slow music. This is a trick I first noticed in the movie “Platoon,” which relied heavily on Samuel Barber’s “Adagio and Strings.”
Usually the sad music means someone will die; but not here (although Jorah does get stabbed). The important deaths come before and after this sequence. And while we’re complaining, I really didn’t like it that Arya killed the Night King just as Viserion was about to blast Jon and the wights were on the verge of wiping out the rest of our heroes. That just-in-the-nick-of-time trope was tired even in the silent movie era.
As for the deaths themselves. Here they are in order of importance.
Theon: There seemed to be some difference of opinion by commentators after the battle as to whether Theon deserved his redemption. I was slightly moved, but not much, by Bran’s absolution: “Everything you did brought you where you belong — home,” and later, “You’re a good man. Thank you.” I know we feel sorry that he was tortured, but he did kill a few kids and grievously betray the Starks. Also, apparently he had no choice but to rush at the Knight King with that spear, but what a futile gesture. He gets swatted away like a fly.
Ser Jorah: This was slightly sadder, but he’s been such a stiff it was hard to care too much. He died doing what he was committed to — defending his Khaleesi — so that was nice. This leaves Dany without someone she trusts implicitly, so this will make her insecure going forward.
Melisandre: She said she would die in the North so her appearance shouldn’t have been a surprise, other than the fact that she showed up at exactly the right time. I am not sure how we are supposed to think about the Lord of Light, the one true God. This god does seem to have some powers, although this is a very Old Testament God, not the more forgiving God of the New Testament.
Lady Mormont: We should have known she was doomed because the show does have a fixation on killing children. And sure enough, that pint of peanuts went down fighting, killing the biggest wight of them all. Thematically, this prefigured the end, when the second-tiniest Warrior (Arya) killed an even larger monster. This battle killed two Mormonts, though (see Ser Jorah above. I wonder if there are any Mormonts left to lead that House. Also, I wonder if Sam gets his sword back now.)
Beric: Supposedly, we learn from Melisandre, that the reason Beric kept returning from the dead is so that he could eventually save Arya. Oh come on. How deterministic is this universe? I really don’t think she knows what she’s talking about have the time. Her predictions are like me trying to read chicken entrails.
Edd: I guess he died. I didn’t notice, but that’s what Twitter said after the episode.
Not dead: I don’t want to harp on this but how is Grey Worm still standing? Or Brienne, the Hound, Jaime, Ghost or anyone else who was fighting out on the open field in front of the castle walls? Not that I wanted them to die but the cloak of invulnerability that seemed to cover them seems like a cheat.
Some Odds and Ends
Callbacks: As the series wears on, there are numerous callbacks to earlier episodes and Arya gets two. I don’t know how Milesandre knows to pull out this old chestnut, but when Arya’s feeling a little down she says, There is only one god, and His name is Death. And what do we say to death?” Not today,” Arya responds, remembering the advice given to her by Syrio Forel, the master sword-fighter and instructor hired by Eddard Stark to train her.
And then, when Arya tells Sansa to go to the crypts and gives her a sword, her advice is, “Stick them with the pointy end,” a callback to the very sweet scene in the second episode when Jon gives her needle.” The video below is more emotional than anything in this episode.
The Crypt: After all the teasing about the dead Starks being reanimated from the crypt, I couldn’t really tell if it happened or not. My wife says yes, but I thought the undead terrorizing Gilly and the others were wights from above who had broken through. And during that library scene was Arya fighting Stark undead or ones from the north? Also, how is it that hardly anyone in the crypt was killed? They were all defenseless and yet I think even Shireen 2.0 survived. Was there a point in Arya giving Sansa that weapon? For a second I thought she and Tyrion were committed to a suicide pact.
Tyrian: His two scenes with Sansa were nice, but I was definitely expecting him to play a bigger role in solving the riddle to the battle — as did he. And yet all he did was complain about being sidelined; he didn’t even fight the wights when they broke in. I assume he will have a bigger, smarter role to play later in the season.
Clean-up. How are they going to clean up the mess left behind by the battle? I don’t know if the wights just disappear but even the body count of dead humans looks pretty overwhelming. I assume the ground is frozen and they can’t bury anyone. On the positive side, there’s a lot fewer mouths to feed.
I assume the Winterfell grounds look something like this
Jon And Dany: That was a classic, “let’s talk later” situation after last week’s big reveal about Jon’s parentage. They barely exchanged two words but they did save each other’s life a few times so maybe that will smooth things over.
The independence of the North: I am sick of Sansa’s continued complaining about how the North needs to remain independent. Her own father bent the knee to Robert Baratheon so I don’t see what the problem is with pledging allegiance to the woman who just sacrificed most of her armies to save Winterfell.
Climate change: The existential threat of the Night King has been compared to the real world challenge of climate change; i.e., something that could destroy humanity while we petty humans squabble over our small advantages. Well now, does this mean we can stop worrying? Maybe we can get our own Arya Stark to solve the problem with a flick of the wrist. And while we’re at it, I suppose we won’t need to wall any longer, or the Night’s Watch either. And have we heard the last of “Winter is coming” (except by unimaginative politicians).
The future: I can’t even begin to speculate what will happen over the next three episodes. I assume there’s a final showdown with Cersei coming but what happens before then? I hope they don’t create unnecessary problems that they need to solve to stretch things out.